Pr\u00e9mios de Avanca 2014<\/a><\/h3>\n<\/h3>\n
Terminaram os \u201cEncontros Internacionais de Cinema, Televis\u00e3o, V\u00eddeo e Multim\u00e9dia \u2013 AVANCA 2014\u201d, encerrando 10 dias de festival e 5 dias de competi\u00e7\u00f5es, confer\u00eancias e workshops internacionais. Comemorando a d\u00e9cima oitava edi\u00e7\u00e3o, o AVANCA 2014 contou com mais participantes e atribuiu pr\u00e9mios a filmes e autores de 17 pa\u00edses.<\/p>\n
\u201cO \u00daltimo Inverno\u201d do realizador iraniano Salem Salavati arrebatou o Pr\u00e9mio Cinema para a Melhor Longa-metragem, tendo ainda recebido o Pr\u00e9mio Melhor Atriz que distinguiu AsiyehMoradizar. Foram ainda distinguidas com Men\u00e7\u00f5es Especiais as longas\u2013metragens \u201cN\u00e3o-conformidade\u201d de Igor Parfenov (Ucr\u00e2nia) e \u201cA Busca\u201d de Luciano Moura (Brasil). Este \u00faltimo filme foi tamb\u00e9m distinguido com o Pr\u00e9mio Melhor Ator, atribu\u00eddo a Wagner Moura.<\/p>\n
A curta-metragem \u201cO imortalizador\u201d, de MariosPiperides (Chipre), ganhou o Pr\u00e9mio Curta-Metragem e Pr\u00e9mio Estreia Mundial. O Pr\u00e9mio Anima\u00e7\u00e3o distinguiu o filme russo \u201cTons de Cinzento\u201d de Alexandra Averyanova. O Pr\u00e9mio V\u00eddeo distinguiu o filme mexicano \u201cAr\u201d de RominaQuiroz. O Pr\u00e9mio da Melhor Fotografia distinguiu Amir Alivaisi do filme iraquiano \u201cPreto & Branco\u201d de JalalSaepanah.<\/p>\n
O J\u00fari, presidido pelo investigador e escritor Ant\u00f3nio Abreu Freire, foi constitu\u00eddo pelos cineastas YevgeniPashkevich (Let\u00f3nia), Tommaso Valente (It\u00e1lia), Margarita Hernandez (Cuba \/ Brasil), o investigador Jason Dee (Reino Unido) e LyudmilaBila (Ucr\u00e2nia).<\/p>\n
Entre as categorias mais esperadas deste ano, esteve a \u201cCompeti\u00e7\u00e3o Avanca\u201d. Reunindo uma selec\u00e7\u00e3o de obras produzidas na regi\u00e3o, foram distinguidas a longa-metragem \u201cPecado Fatal\u201d de Lu\u00eds Diogo, a curta-metragem \u201cBalan\u00e7a\u201d de Rui Falc\u00e3o, o document\u00e1rio \u201cA Pedra e a Palavra\u201d de Joaquim Haickel<\/strong>e a anima\u00e7\u00e3o \u201cFoi o fio\u201d de Patr\u00edcio Figueiredo.<\/p>\nO J\u00fari deste pr\u00e9mio foi presidido pelo produtor Paulo Trancoso e constitu\u00eddo pelo cineasta Bernardo Cabral e pelos programadoras Ayoub El Anjari El Baghdadi (Marrocos), GamzeKonca (Turquia), Ros\u00e2ngela Rocha dos Santos (Brasil) e Fl\u00e1via Vargas (Fran\u00e7a \/ Brasil). Este j\u00fari atribuiu ainda uma men\u00e7\u00e3o especial a \u201cMam\u00e3s de papel\u00e3o\u201d de Nuno Cristino Ribeiro.<\/p>\n
Um outro j\u00fari constitu\u00eddo pelos professores Leonel Rosa e Manuel Freire, pelo poeta Ant\u00f3nio Souto, pelo pintor Ac\u00e1cio Rodrigues, pela investigadora Ana Cristina Pereira e pelos cineastas Henrique Vaz Duarte, Manuel Matos Barbosa, Manuel Paula Dias e Rui Nunes, atribuiu os pr\u00e9mios televis\u00e3o.<\/p>\n
O document\u00e1rio \u201cShado’man\u201d do holand\u00eas Boris Gerrets recebeu o Pr\u00e9mio Televis\u00e3o. O J\u00fari atribui ainda Men\u00e7\u00f5es especiais aos filmes \u201cSangre de Drag\u00f3n\u201d de Nacho Luna (Espanha) e \u201cTrazosenlacumbre\u201d de Carlos Molina (Venezuela).<\/p>\n
<\/p>\n
O Pr\u00e9mio Estreia Mundial foi atribu\u00eddo \u00e0 curta-metragem \u201cO imortalizador\u201d de MariosPiperides (Chipre)\u201d, e aos document\u00e1rios \u201cThe VaticanandtheThird Reich\u201d de Rufo Pajares (Espanha) e \u201cA Pedra e a Palavra\u201d de Joaquim Haickel (Brasil \/ Portugal).<\/strong><\/p>\nA competi\u00e7\u00e3o \u201cTrailer in Motion\u201d distinguiu o trailer \u201cDer Kreis\u201d de Stefan Haupt (Su\u00ed\u00e7a) e o videoclipe \u201cLe peuple de l’Herbe \u2013 parlerle fracas\u201d de Wasaru (Fran\u00e7a). Tamb\u00e9m o videoclipNapoleon\u201d de Marco Miranda (Portugal) recebeu uma Men\u00e7\u00e3o Especial. O j\u00fari foi constitu\u00eddo pelo cr\u00edtico Nuno Reis e pelo m\u00fasico S\u00e9rgio Ferreira.<\/p>\n
Entretanto, na \u201cAVANCA|CINEMA, Confer\u00eancia Internacional Cinema \u2013 Arte, Tecnologia, Comunica\u00e7\u00e3o\u201d, o Pr\u00e9mio Eng. Fernando Gon\u00e7alves Lavrador, em homenagem p\u00f3stuma a um dos mais relevantes investigadores portugueses na \u00e1rea da semi\u00f3tica, est\u00e9tica e teoria do cinema, distinguiu ax-aequo o investigador finland\u00eas JoukoAaltonen da AaltoUniversity e Carlos J\u00fanior Rosa da Universidade de S\u00e3o Paulo, Brasil. Tamb\u00e9m os investigadores Lu\u00eds Leite e Marcelo Lafontana da Universidade do Porto e Michael Morgan da EuropeanFilmCollege (Dinamarca), receberam Men\u00e7\u00f5es Especiais.<\/p>\n
O j\u00fari deste pr\u00e9mio foi constitu\u00eddo pelos acad\u00e9micos Francisco Garcia (Espanha), WaiLukLo (Hong Kong), Yen-Jung Chang (Taiwan) e os portugueses Anabela Oliveira, Jos\u00e9 Ribeiro, Rosa Oliveira, Pedro Bessa e Jos\u00e9 Marta.<\/p>\n
A organiza\u00e7\u00e3o cient\u00edfica internacional \u201cIAMS \u2013 InternationalAssociation for Media in Science\u201d atribuiu ainda umas men\u00e7\u00e3o especial \u00e0 comunica\u00e7\u00e3o dos investigadores portugueses Alexandra Abreu Lima e Jorge Ramalho, numa declara\u00e7\u00e3o apresentada pelo professor e f\u00edsico nuclear Alessandro Griffini (It\u00e1lia).<\/p>\n
No total, seis j\u00faris constitu\u00eddos por 34 individualidades de 14 pa\u00edses atribu\u00edram 19 pr\u00e9mios e 9 men\u00e7\u00f5es especiais.<\/p>\n
O AVANCA acontece todos os anos em Avanca no Distrito de Aveiro e \u00e9 uma organiza\u00e7\u00e3o do Cine-Clube de Avanca e C\u00e2mara Municipal de Estarreja com o apoio do ICA\/Secretaria de Estado da Cultura, Instituto Portugu\u00eas do Desporto e da Juventude, FCT, IAMS, Academia Portuguesa de Cinema, Universidades de Aveiro e Coimbra, ESAP, ESAD, Teatro Aveirense, Junta de Freguesia, Par\u00f3quia e Escola Egas Moniz de Avanca, para al\u00e9m de v\u00e1rias entidades locais.<\/p>\n","protected":false},"excerpt":{"rendered":"
Encerrado o XVIII Festival Internacional de Cinema de Avanca. \u00a0 O document\u00e1rio \u201cA Pedra e a Palavra\u201d, de Joaquim Haickel, […]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1180","post","type-post","status-publish","format-standard","hentry","category-sem-categoria"],"yoast_head":"\n
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